Sisavanh Phouthavong
  • 2024 ctl+alt+del
  • 2024 Whispers of Hope
  • About
    • Resume
    • Reviews & Publications
  • Exhibitions
    • 2023 Wore / Fair
    • 2022 UAG: Sewanee, TN
    • 2022 Bagwell Gallery
    • 2022 Thessaloniki, Greece
    • 2022 Knoxville Museum
    • 2021 Gadsden Museum
    • 2021 KCKCC
    • 2021 Slocumb Gallery ETSU
    • 2020 Minnesota Museum
    • 2020 Asian Arts Initiative
    • 2020 Tinney Contemporary
    • 2019 Tipton Gallery ETSU
    • 2018 Hunter Museum
    • 2018 Lauren Rogers Museum
  • 2D
    • 2023-24 Token Specimen
    • 2022
    • Glimpses of Lives Interrupted
    • 2021
    • This Land was Made
    • 2020
    • Quantify Tactical Zone
    • Disillusioned
    • Indirect Traffic
    • 2019 >
      • Unstable
      • Rain 1-20 >
        • Rain 21-40
        • Rain 41-60
        • Rain 61-80
        • Rain 81-100
    • 2018 >
      • Clustered Debris
      • Aftermath
      • Secret War on Laos: UXO
      • Crumbling Facade
      • Secret War Part 2
    • 2017 >
      • Legacies of War
      • Nong Khai
      • Re-Imagined Space
      • Defied Structures
  • 3D
    • 2023 Wore / Fair
    • 2021 Interminable Suspension 2021
    • 2020 Transparent Voices
    • 2020 Clustered Bomblets
  • Archive
    • Displacement: Citizenship
    • Evanescent 2016
    • Chicago 2016
    • Deliberate Moments 2016
    • Birds and Insects
    • Bronze
    • Wood
    • Aluminum
  • Store
Interminable Suspension: 
This piece speaks specifically about the endless efforts to assist with demining the scattered bomblets across Laos. The laser-engraved map is from the U.S. Air Force Bombing Data from the Province in Lao PDR from the website www.nra.gov.la. The map shows the bombed regions in Laos. The flowers symbolize the cluster bombs dropped from planes that automatically opens and releases hundreds of bomblets that explode on impact. For every 8 minutes, 24 hours a day, for nine years from 1964-1973 U.S. dropped 270 million cluster bombs on Laos during the Vietnam War. Laos is still the most bombed country per capita. 
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  • 2024 ctl+alt+del
  • 2024 Whispers of Hope
  • About
    • Resume
    • Reviews & Publications
  • Exhibitions
    • 2023 Wore / Fair
    • 2022 UAG: Sewanee, TN
    • 2022 Bagwell Gallery
    • 2022 Thessaloniki, Greece
    • 2022 Knoxville Museum
    • 2021 Gadsden Museum
    • 2021 KCKCC
    • 2021 Slocumb Gallery ETSU
    • 2020 Minnesota Museum
    • 2020 Asian Arts Initiative
    • 2020 Tinney Contemporary
    • 2019 Tipton Gallery ETSU
    • 2018 Hunter Museum
    • 2018 Lauren Rogers Museum
  • 2D
    • 2023-24 Token Specimen
    • 2022
    • Glimpses of Lives Interrupted
    • 2021
    • This Land was Made
    • 2020
    • Quantify Tactical Zone
    • Disillusioned
    • Indirect Traffic
    • 2019 >
      • Unstable
      • Rain 1-20 >
        • Rain 21-40
        • Rain 41-60
        • Rain 61-80
        • Rain 81-100
    • 2018 >
      • Clustered Debris
      • Aftermath
      • Secret War on Laos: UXO
      • Crumbling Facade
      • Secret War Part 2
    • 2017 >
      • Legacies of War
      • Nong Khai
      • Re-Imagined Space
      • Defied Structures
  • 3D
    • 2023 Wore / Fair
    • 2021 Interminable Suspension 2021
    • 2020 Transparent Voices
    • 2020 Clustered Bomblets
  • Archive
    • Displacement: Citizenship
    • Evanescent 2016
    • Chicago 2016
    • Deliberate Moments 2016
    • Birds and Insects
    • Bronze
    • Wood
    • Aluminum
  • Store